Thanks to Twitter, the Unessay has been on my radar for a minute — but I only finally tried it out in my Short Story lit class this summer. My students really enjoyed having a creative option in lieu of a traditional research paper, and examples of their work are shared with their permission below (along with the full prompt, and the course syllabus).
But before I get to their work: let me give some clarification on what an Unessay is, exactly. My prompt and grading criteria were adapted and cobbled together from Professor Emily Contois’ “Teaching the Unruly Unessay,” Professor Emily Suzanne Clark’s Unessay post on her personal site, and Professor Ryan Cordell’s Unessay assignment on the Technologies of Text class site.… Read more
A few folks emailed me in the past couple of weeks asking for more information around my Black Mirror-themed composition course, so I thought I’d post a few revisions and tweaks I’m working on as I prepare for the next iteration of this class. I focused on Get Out in the fall, but will come back to Black Mirror in both Composition I and our Liberal Arts capstone in the spring. I’ll post in the next week or so on the capstone class.
In case you are looking for additional resources on Black Mirror — both scholarly articles and/or reflections on teaching — I’d suggest you also check out the special issue of Supernatural Studies (4.2) devoted to Black Mirror that I edited.… Read more
I don’t want to quantify it because I haven’t conducted a formal study or anything, but an immense amount of teaching is about reflection.
Oh, students didn’t get something? A reading didn’t go over very well, or almost everyone struggled with it? Well, maybe you need to chuck it. Or create a reading guide, with questions to engage and prepare them before they dive in. Mark particular points in the text that you want them to focus on, paragraphs that are crucial to unlocking the text–and ask them, in advance, to mull over these passages in depth. Or tell them to embrace the messiness, and come in with burning questions (and, y’all: have a discussion and activity around what *makes* a good discussion question).… Read more
It’s been a minute since I’ve posted. My semester starts at LaGuardia this week, and with it comes my personal pedagogical ritual: taking a decent, pre-existing syllabus I conjured forth (that has been already tweaked and refined); putting it aside; and completely overhauling the content, usually within a mere week before classes begin. To be clear: I am constantly reflecting/tweaking prior assignments and in-class exercises — and many of these are fairly portable and can be recycled with ease into another section of composition. But I want to teach content that I find fresh and exciting, and that I hope will engage students.… Read more
This composition syllabus had a rather long gestational period. It was supposed to make an appearance in the fall of 2016.
Instead, Lemonade happened.
Which worked out fine. I had a great time teaching those composition sections around Beyoncé’s visual album, intersectional feminism, and pop culture more generally.
But because I get bored/distracted easily when teaching the same material repeatedly, I felt it was time to revisit my Black Mirror ideas, tweak as necessary, and roll out this sucker. Fortunately, the experience running those Lemonade sections – especially using student writing as course reading/response materials – helped me hone this iteration a bit more.… Read more
I went a-conferencing this past weekend, to the American Society for Theatre Research in Minneapolis (#astr16). I was invited to speak at a career session called Beyond the Journal: Social Media, Blogs, and Podcasts, with scholars Brian Herrera , as moderator and general theatre/social media/digital writing expert, and Pannill Camp, who spoke about the important and exciting On TAP podcast. It was pretty awesome to somehow get invited to this party (if a 7:30 am Sunday session can be considered a party. Indulge me.). Many thanks to the Career Sessions organizers for the invitation, should they ever stumble across this post.… Read more
The semester starts in less than two weeks, y’all. So what did I do, with my ready-to-go-syllabi, numerous writing deadlines, and paper-/committee-work looming over me, vulture-like?
I posted a proposition on social media that would lead me down the last-minute-abandonment-of-already-developed-syllabus road.
And yet, that is exactly what I ended up doing today.
Of course, the major source of inspiration behind all this was Candice Benbow’s stunning, comprehensive, and wonderfully detailed/designed Lemonade Syllabus. I live in awe of this document.… Read more
The house was packed a week ago today, when physicist Michio Kaku visited LaGuardia. He came at the invitation of the NEH-funded faculty seminar at LaGuardia – Technology, Self, and Society. Students were engaged by his presentation, and there were long lines up the aisles of the auditorium to ask him questions (equally long were the lines for selfies and book-signings afterwards). This event was clearly a conversation starter, and Dr. Kaku gave our school community a lot to think (and talk) about. It was an important visit.
However. At one point during his talk, Dr. Kaku referred to a future where “perfect capitalism” exists – where consumers can custom order any item (his example was clothing) to be tailor-fit to their digitally stored body measurements.… Read more
Later today, I will be sharing some of the challenges of discussion forums in a presentation at LaGuardia as part of the Center for Teaching and Learning’s mini-seminar series on Engaging Web 2.0 Resources & Technologies (slides for the talk are at the bottom of this post). Discussion boards are something I have struggled with quite a bit over the years: I only recently came to terms with online discussions, mainly because I found a tool – the chat platform Slack – and a structure that seems to encourage the kind of student-driven conversations I was aiming for.… Read more
For their culminating project, students in my Humanism, Science, and Technology class were asked to create some kind of creative digital media project that touched on our class themes. LIB 200 is the capstone class for Liberal Arts majors at LaGuardia, and our section focused specifically on AI in sci-fi films and TV shows. The students embraced the challenge, and I wanted to take a moment to show off their fabulous work. Working individually or in groups, they first pitched a proposal to the class – getting feedback and crowd-sourcing ideas. Next, they drafted a design plan (which included a research narrative), and then executed the project.… Read more