Thanks to Twitter, the Unessay has been on my radar for a minute — but I only finally tried it out in my Short Story lit class this summer. My students really enjoyed having a creative option in lieu of a traditional research paper, and examples of their work are shared with their permission below (along with the full prompt, and the course syllabus).
But before I get to their work: let me give some clarification on what an Unessay is, exactly. My prompt and grading criteria were adapted and cobbled together from Professor Emily Contois’ “Teaching the Unruly Unessay,” Professor Emily Suzanne Clark’s Unessay post on her personal site, and Professor Ryan Cordell’s Unessay assignment on the Technologies of Text class site.… Read more
As summer winds down and our thoughts turn to trimming/pruning/burning and razing our syllabi, I thought I’d share a creative writing assignment I use in my second-level composition class, ENG 102: Writing Through Literature. This Creative Retelling assignment is cobbled together from prior work done by Amy Cummins, Pam Regis, and Stephen M. Park.
At some point, the act of slogging through dozens of research papers on literature chips away at my resolve, and deadens my soul. It’s just boring AF. I work all semester on the nuts and bolts of writing and responding to literature: close readings, paragraph construction, quotation sandwiches, citation methods, etc.… Read more
I had a bit of a come-to-Jesus moment while reflecting on my teaching over this “break”. The moment mostly involved our second level composition class – ENG 102, “Writing Through Literature.” It is also kind of an intro to lit class, but not really a hardcore lit survey – or not in my hands, anyway. It’s more like “flirting with literature” in my rendering of the thing. So I have been running ENG 102 primarily as a writing class, usually focused around a particular theme (my last few sections used post-apocalyptic and dystopian works), in which students also encounter literature (there should be three genres included, poetry and drama are mandatory among those three), and begin to learn how to analyze and write about literature. … Read more
Yesterday, a small team of faculty in our department spent four very productive hours, fueled by coffee and mini-Creme Brulee confections from Doughnut Plant, workshopping our hybrid syllabi and assignments for the spring. We applied for and received a generous grant from LaGuardia’s Center for Teaching & Learning to work on our hybrid program this year, and a group of us are working more closely on hybrid course design and further program development.
This is my first time teaching ENG 102: Writing Through Literature – our second-level composition class – as a hybrid. I taught the course around post-apocalyptic lit last year, but I’m overhauling it now both in terms of content (while keeping the post-apocalyptic theme) and design for hybrid delivery.… Read more