“Pile of Feathers.” Appalachian Review, vol. 48, issue 2, Spring 2020.
selected peer-reviewed journal articles
“Podcasting in the Composition Classroom: Writing, Research, and Activism.” Impact: The Journal of the Center for Interdisciplinary Teaching & Learning at Boston University 6, no. 2 (2017).
“Civil War Memories on the 19th Century Amateur Stage: Preserving the Union (and Its White Manly Parts).” Theatre History Studies 33 (2014): 4-34.
“Integrating Broadway: Cultural Memory, Performance and History in The Southerners.” Journal of American Drama and Theatre 22, no. 2 (Spring 2010): 67-83.
“‘Let our Freak Flags Fly’: Shrek the Musical and the Branding of Diversity.” Theatre Journal 62, no. 2 (2010): 151-172. (Co-author).
“Artificial Intelligence and Strange Strangers in Ustopia.” In Future Humans in Fiction and Film. Edited by Louisa MacKay Demerjian and Karen F. Stein. Newcastle upon Tyne: Cambridge Scholars Publishing, 2018: 131-143.
“‘You Women Folks Has No Business to Be Here Anyhow’: Romancing the War & Women in Civil War Memories on Stage.” In The Arts and Culture of theAmerican Civil War. Edited by James A. Davis. New York: Routledge, 2017: 167-182.
reviews & notes
“Teaching Black Mirror and Popular Culture.” Supernatural Studies 4, no. 2 (2018): 80-8.
Book review of The Pekin: The Rise and Fall of Chicago’s First Black-Owned Theater. Thomas Bauman. Journal of Dramatic Theory and Criticism 29, no. 2 (2015): 177-179.
Book review of Humor and Humanity: Contemporary Plays from Finland. Edited by S.E. Wilmer and Pirkko Koski. The Mercurian: A Theatrical Translation Review 3, no. 3 (2011): 123-8.